New Customer Review

The entire album is permeated with a light and bright southern atmosphere. Shigeru Suzuki continues his smooth guitar playing, while Tsuro Yamashita showcases multi-track recording and rich harmonies. Hosono adds more distinct electronic experiments, I love this album!

finally we got Midnight merchandise! I always wanted a Midnight plush and her being dressed as sushi makes me so so happy :D she is so soft and adorable

The first night in Tokyo. A perfectly balanced set, ranging from the aggression of “Red” to the ethereal “Walking on Air.” The acoustics allowed every nuance of Trey Gunn’s touch guitar to shine. The band sounds incredibly tight despite the complex lineup.

The band continues to push boundaries with improvisations. “VROOOM VROOOM” felt particularly sharp tonight. Adrian Belew remains a charismatic focal point; his vocals on “One Time” provide a human touch within the mathematically precise chaos.

This show served as the basis for the famous video release. Visually and musically, they are at their peak. “Larks' Tongues in Aspic, Part II” sounds monumental. The Bruford-Mastelotto drum duel is simply beyond comprehension.

Second night at Sun Plaza. The band feels more relaxed, which benefits the improvisational segments. “The Talking Drum” builds tension to a breaking point. Tony Levin’s bass provides the rock-solid foundation for this sonic madness.

Filmed over four nights in 2019 at the Ziggo Dome in Amsterdam and directed by Waters and Sean Evans, ”Us + Them” is no mere concert film. This is an emotional and moving live multi-media spectacle that transcends the average concert-going experience. Waters and Pink Floyd have always used films, extravagant props and imaginative lighting to enhance the concert experience, and there is no shortage of those effects used here.

When I was a child, I really loved watching "The Cat's Eye " Now that I've grown up, I still miss those childhood anime, which is exactly why I bought this CD. It features many classic songs-so touching and delightful-that made for a truly enjoyable shopping experience.

Although Yoshida Mina's songs are not as famous as those of Yamada Tatsurou from the same era, her exploration of music is boundless. Her albums continue to innovate, and I truly love her music.

For fans of modern AOR and melodic rock, Midnite City’s Itch You Can't Scratch is exactly the kind of album that reminds you why the genre continues to thrive. Packed with infectious hooks, shimmering keyboards, and arena-sized choruses, the British melodic rockers deliver a confident and highly enjoyable record that wears its influences proudly while maintaining its own identity. Frontman Rob Wylde is the band's secret weapon. His vocals are consistently outstanding throughout the album, combining power, melody, and emotional conviction. Whether delivering soaring choruses or more reflective moments, Wylde brings genuine personality to every track, helping elevate already strong songwriting. Overall, this is a fantastic release that would be an incredible addition to anyone's library. For fans of melodic rock, AOR, and bands such as FM, H.E.A.T., Eclipse, and Work of Art, this album is essential listening. It's the kind of record that reminds you why catchy hooks, soaring vocals, and heartfelt songwriting never go out of style.

The book is very pretty! It has lots of illustrations and the main characters pictures. I’m very happy!

It’s a good ablum.by the way,the shiping is fast,and the price is reasonable .I will place more orders

It’s a good ablum.by the way,the shiping is fast,and the price is reasonable .I will place more orders

A legendary album and the one that many acoustic guitar afficionados look up to! All three players are inspired, at the top of their playing and the mood gets gradually hotter as all three experts appear on stage simultaneously. There are no other instruments other than acoustic guitars so that listeners can fully appreciate. Even though there are many moments to show off, it is in the calmer seconds when the playing gets more atmospheric.

Sangam is a work full of drama and skill—around here, it will end up on virtually everyone's top ten list, and rightfully so.

There is a lot of improvisation going on, but it is all deeply communicative and lyrical - Lloyd's trademark for the last five decades as a composer, soloist, arranger, and bandleader. Lloyd shows no signs of slowing down or simple contentment as he ages, and we are all the more fortunate for it.

Dresden is further proof of Garbarek's ongoing musical vitality, passionate artistry, and ability to put together a unique group sound. His first live album, recorded in the fall of 2007 — faithfully captures the saxophonist and his current quartet with a two-hour set that traverses a broad dynamic and stylistic expanse, with plenty of space for everyone to stretch out.

It's impossible not to appreciate this trio's harmonic sophistication and overall technical skill, as it refines and modernizes a jazz tradition merged with European impressionism. Like ever expanding ripples, this trio's music is a constantly expanding soundscape of color and finely honed lyricism.

Mirror continues to bolster Lloyd's latest ensemble as one of the best — and certainly the freest — of his long career.

Syncopations is a unique gathering of well vetted musicians who, besides of playing with real mastery, seem to be listening to each other carefully and respectfully. It is a sort of aural democracy: everybody has the chance to say it all and, at the same time, everyone lets the other have his share.