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BOOK

Umezu Kazuo Ron Manga Hiyogen to Sozo Riyoku No Kiyofu

Takahashi Akihiko / Cho

3600yen
(3960yen Tax incl. in Japan)
US$ 23.46
Points You Earn 1% (36p)
Release Date June 2015
Availability In Stock at Supplier:Usually ships in 2-4 days
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Product Details

Catalog No.NEOBK-1827883
JAN/ISBN 9784787292285
Product Type BOOK
Product Package Size (Measured) 15.1 x 21.6 x 3.8cm
Pages 516

Books are basically written in Japanese except for bilingual books or ones indicated as not written only in Japanese.

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Description

[Machine Translation] Hebi Shoujo", "Orochi", "Iara", "Drifting Classroom", "Baptism", "Makoto-chan", "I am Shingo", "God's Left Hand, Devil's Right Hand", "14 Years Old".... Kazuo Umezu is a solitary person who has continued to draw masterpieces. This book is a comprehensive reading of Umezu's works, which weave motifs such as children, mother, God, beauty and love, dreams, and time, in addition to horror, through thematics, artwork theory, expression theory, and bibliography, and illuminates the center of their potential. This is a major work that overturns the evaluation of Umezu's works, which are often criticized only in one aspect, and re-evaluates the whole picture of his philosophy and artistry by examining the principles of manga expression, such as panel layout, line drawing, movement, and generation of time, while being called the master of horror manga and respected by many manga artists. Includes an extensive chronology and catalog of his works, as well as an index of names of books, people, and vocabulary.

Translate Description

*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region (谷歌翻译在中国大陆无法使用).

Description in Japanese

楳図かずお論 マンガ表現と想像力の恐怖 / 高橋明彦/著

『へび少女』『おろち』『イアラ』『漂流教室』『洗礼』『まことちゃん』『わたしは真悟』『神の左手悪魔の右手』『14歳』...。名作を描き続けた孤高の人、楳図かずお。本書は、恐怖に加え、子ども、母、神、美と愛、夢、時間といったモチーフを縦横に織り込んで描かれた楳図作品を、主題論・作品論・表現論・文献学を総合して読み解き、その可能性の中心を照らし出す。恐怖マンガの巨匠と称され、多くのマンガ家たちからの尊敬を集めながらも、一面的に批評されがちな作品評価をくつがえし、コマ割りや描線、運動と時間の生成などマンガ表現の原理を検証しながら、その哲学性と芸術性の全貌を再評価する大著。充実した年譜と作品目録、書名・人名・語彙の索引を付す。

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    Tracklisting

    1
    第1章 楳図かずおの恐怖概念
    2
    第2章 わたしは真悟、内在する高度
    3
    第3章 子どもと暴力―「子供は遊んでばかりいたのかな?」
    4
    第4章 洗礼、その身体と記憶
    5
    第5章 ぬばたまの夢やは実在を思はする神の左手悪魔の右手―楳図かずおと世界の創造
    6
    第6章 タマミの御霊―『赤んぼ少女』と鎮魂の問題
    7
    第7章 楳図かずおのコマ割り理論
    8
    第8章 マンガにおける二つの省略―マンガ表現論の構造
    9
    第9章 ペコの左手アクマの右手―描線論、または松本大洋『ピンポン』における超越と内在
    10
    第10章 復刻の形而上学―版の概念をめぐるマンガの諸問題
    11
    第11章 イアラ、典拠と出来事、言葉と反復

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