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BOOK

Gyakusetsu no Nihonshi 16

Izawa Motohiko

950yen
(1045yen Tax incl. in Japan)
US$ 6.03
Points You Earn 1% (9p)
Release Date June 06, 2013
Availability In Stock at Supplier:Usually ships in 2-4 days
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Product Details

Catalog No.NEOBK-1499940
JAN/ISBN 9784094088366
Product Type BOOK
Label/DistributorShogakukan
Product Package Size (Measured) 10.5 x 15 x 1.9cm
Pages 538

Books are basically written in Japanese except for bilingual books or ones indicated as not written only in Japanese.

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Description

[Machine Translation] The dream of "introducing the blood of the Emperor" into the Mito family, which was intended to make the Mito family a "safeguard for the Tokugawa family," was completed with the 15th Tokugawa Yoshinobu. However, the irony of history is that Yoshinobu Tokugawa became the last shogun of the Tokugawa Shogunate. And the Matsudaira family of the Aizu domain tried to protect the shogunate until the very end. The "Fifteen Articles of Household Precepts" by the clan's founder, Masayuki Hoshina, who advocated absolute loyalty to the shogunate. The seeds of the upheaval at the end of the Edo period were planted 200 years ago. This is the 16th volume of a magnificent nonfiction work that deciphers the bizarre history!

Translate Description

*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region (谷歌翻译在中国大陆无法使用).

Description in Japanese

逆説の日本史 16 江戸名君編 水戸黄門と朱子学の謎 (小学館文庫) / 井沢元彦/著

水戸家を「徳川家の安全装置」とするために行なわれた水戸家への「天皇家の血の導入」という夢は、十五代徳川慶喜によって完成する。だが、その慶喜が、幕府最後の将軍になってしまう歴史の皮肉。そして、その幕府を最後まで守ろうとした会津藩松平家。将軍家への絶対的忠誠を唱えた藩祖保科正之による「家訓十五箇条」。幕末動乱の種がなんと二百年前に撤かれていたという。数奇な歴史を解読する壮大なるノンフィクション第十六弾!

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    Tracklisting

    1
    第1章 江戸「名君」の虚実1 徳川光圀の生涯編―武士の「忠義」の対象は天皇か将軍か
    2
    第2章 江戸「名君」の虚実2 保科正之の生涯編―王政復古と明治維新へと発展した思想のルーツ
    3
    第3章 江戸「名君」の虚実3 上杉鷹山の改革編―名門家臣を断罪した「流血」の覚悟
    4
    第4章 江戸「名君」の虚実4 池田光政の善政編―「脱・仏教体制」の潮流と『太平記』註釈書
    5
    第5章 江戸、町人文化の世界1 江戸文化の「江戸的」展開編―俳諧と歌舞伎と落語のルーツ
    6
    第6章 江戸、町人文化の世界2 江戸文化の「江戸的」凝縮編―芸術の「大衆化」を支えてきた源泉

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