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BOOK

United Kingdom Eiga to Bunka Seisaku Burea Seiken Iko No Political Economy

Kawashima Nobuko / Hen Oya Tomoko / Hen Ota Nobuyoshi / Hen Egu Linton Mika / Cho Miura Rei Hajime / Cho Matsumoto Akira / Cho Futo Shimoyoshiyuki / Cho

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2600yen
(2860yen Tax incl. in Japan)
US$ 16.45
Points You Earn 1% (26p)
Release Date October 21, 2012
Availability Sold Out
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Product Details

Catalog No.NEOBK-1369742
JAN/ISBN 9784766419764
Product Type BOOK
Product Package Size (Estimated) 20.5 x 23.4 x 1cm
Pages 201

Books are basically written in Japanese except for bilingual books or ones indicated as not written only in Japanese.

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Description

[Machine Translation] The purpose of this book is to analyze and interpret various visual texts such as "Queen," "Shame," and "The Hours" that have circulated in the UK and abroad since the 1990s, i.e., during and after Blair's New Labour administration, by analyzing cultural policy, film policy, and changes in market conditions related to film production, distribution, and exhibition. It also refers to the relationship between London, a global city that won the bid for the 2012 Olympic Games with its "cultural program," and the British state. This is an ambitious attempt to reread British cultural policy from the perspective of the "political economy" that produces and creates the emerging globalized popular culture.

Translate Description

*As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region (谷歌翻译在中国大陆无法使用).

Description in Japanese

イギリス映画と文化政策 ブレア政権以降のポリティカル・エコノミー / 河島伸子/編 大谷伴子/編 大田信良/編 エグリントンみか/著 三浦玲一/著 松本朗/著 太下義之/著

本書は、1990年代以降、すなわちブレア新労働党政権時代とそれ以降、英国国内および国外に流通した『クィーン』や『恥辱』、『めぐりあう時間たち』などのさまざまな映像テクストを、文化政策、映画政策、映画制作・配給・興行に関わる市場環境変化の分析を通じて分析・解釈することを目的としている。また、2012年オリンピック招致をその「文化プログラム」によって勝ち取ったグローバル・シティ、ロンドンと英国国家との関係にも言及する。英国文化政策を、勃興しつつあるグローバル化するポピュラー・カルチャーを生産・創造する“ポリティカル・エコノミー”という観点から読み直す意欲的な試みである。

Related Offer & Feature

    Tracklisting

    1
    序章 英国の文化政策と映像文化
    2
    第1章 『クィーン』が表象するニュー・レイバーと“the people’s princess”―「グローバル・ポピュラー・カルチャー」の勃興?
    3
    第2章 劇場文化のポリティクスと英国地方都市―ブレア政権の多文化主義から“Broken Britain”へ
    4
    第3章 グローバル・ポピュラー・ハリウッドとディザスター映画の流行―ローランド・エメリッヒ『インデペンデンス・デイ』の真実
    5
    第4章 英国ヘリテージ文化とグローバル・ハリウッドの“間”
    6
    第5章 グローバル化とオリンピック文化プログラム―2012年オリンピック大会にロンドンが勝利した理由
    7
    第6章 「成長」のポリティカル・エコノミーと『アバウト・ア・ボーイ』―変容するロマンティック・コメディ
    8
    終章 ポピュラー・カルチャーのグローバルな再編とはなんだったのか?―文化的価値の再解釈に向けて

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